Screenwriter Michael Mahin, debuts with his first script made into a film with experienced horror director Julian Richards, known for his crossover thriller-horror movies Daddy’s Girl [2018] and The Last Horror Movie [2003]. They combine to bring a move that contains many cliché references to Carrie [1976] and Firestarter [1984], noted by many critics, however…
Gwen (2018) – By Baron Craze
First, Gwen will not appeal to many horror fans, it tends to lean more to a dark drama, with thick a gothic overtone, a slight nod to folklore horror with human monsters, all thanks to director and writer William McGregor who paints a bleak storyline filled with sexism, misfortune, and treachery all occurring in the beginning…
Tone-Deaf (2019) – By Baron Craze
First, it’s not typically easy to define both director and writer Richard Bates Jr.’s work, it tends to lean more abstract and off-beat, challenging everyone who watches it whether to critique or merely entertain, however that commonly leads to wide ranging discussions. I have had the opportunity to see Bates’ short film Excision at…
Deadsight (2018) – By Baron Craze
One of the largest problems with zombie movies, often comes from the excess, it feels with a view of George Romero’s commercialism in Dawn of the Dead. The locations center in cookie-cutter neighborhoods, apartment buildings, malls, and military bases, and lost in the translation is the alienation, that lonesome house off a barren road in…
The Possession Diaries (2019) – By Baron Craze
A few years ago in the horror genre paranormal films dominated the market, before zombie flicks, while lately it’s been possession movies, from The Nun [2018] which caused some unrelated spin-offs to the Annabelle series, face it the Devil is popular. It has gotten to the point where some religious commentators have slammed the movies,…
Clinton Road (2019) – By Baron Craze
For those unaware, an urban legend surrounds Clinton Road and winds through the town of West Milford in Passaic County, New Jersey, it is 9.3 miles, (a road with no streetlights) stretch that dead ends at Upper Greenwood Lake, become infamous for its numerous stories of ghosts, strange creatures, witchcraft and Satanic ceremonies even events…
It Came from the Desert (2017) – By Baron Craze
Director Marko Mäkilaakso (War of the Dead [2011]) makes a lovely tribute and homage to previous creature features of both the recent past and those of long ago, including Starship Troopers (1997) and Eight Legged Freaks (2002) and of course Them! (1954), in addition it wears its badge of b-movie tie-ins proudly, never taking itself…
It Came from Outer Space (1953) – By Baron Craze
In 1953, horror and sci-fi combined to unleash a series of new terrors, for the teenager market, this became Universal Studios’ first 3D move, that achieved both financial success and a cult following in later years. It served the other studios of this new realm to explore, but for Universal it was merely a precursor…
Girl House (2014) – By Baron Craze
Actor Trevor Matthews noted for his roles in Jack Brooks: Monster Slayer (2007) and The Shrine (2010), steps up to the director’s chair for the first time, co-directed with Jon Knautz and embarks with an independent horror feature from first time writer Nick Gordon, and delivers a fresh take on the slasher genre with cunning…
Moth (2016) – By Baron Craze
Moth is a Hungarian mystery-horror film that combines both the found footage genre and a narrative cinematography found in standard horror movies coming from screenwriter József Gallai (Echoes [2018]), who directed it alongside with Gergö Elekes (Bodom [2014]) releasing the movie through Wild Eye Releasing. It is uncommon for found footage films to incorporate the narrative…
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